The Power of Digital Portfolio

Advances in technology have created a digital world where people from all wakes of life can interact and share knowledge–where the answer to almost any question imaginable is just a few clicks away, no matter where you are in the world or what time of day it is.

Who needs pencil, marker, coloring material and etc, just to decorate folders or scrapbook covers so that they can paste in pictures they have drawn, writing samples, and short reflections/goals for their portfolio? 

I think as of now we don’t need it anymore, our problem is solved.

DIGITAL PORTFOLIO is here…

So why would you make things more complicated, when there is faster and easier way to make your portfolio?

At first I thought that this digital portfolio was a bad idea because I didn’t really understand what was the main target of it. I have a lot of question in my mind, like:

  1. Why would they think of making a digital portfolio while you can do the old one?

     2.  Is there any problem with the old one?

     3. What are the advantages of the digital portfolio?

Now, I know. A portfolio is a collection of artifacts demonstrating knowledge and skills. These artifacts should be structured and presented in a format that is easy to navigate and easy to read. A portfolio’s contents should be interrelated and should address one overall theme. A digital portfolio does the same thing, except that the artifacts are all in digital format. Digital portfolios hold enormous potential for structuring, organizing, and presenting digital artifacts.

Base on my research here are some 5 reasons why digital portfolio is really effective to those student like us:

  1. Digital portfolios expand on the repertoire of techniques available to students and educators to demonstrate learning. Pictures, videos and audio recordings are added to the typical paper and pencil tasks students complete.
  2. Struggling students (i.e. writing, reading) are given alternative modes of expression and means to demonstrate learning. This can lead to increases in self-confidence and achievement.
  3. Increased accessibility! Parents no longer need to find time to visit the classroom to see a collection of their children’s work, and educators no longer need to chase after students to return their paper portfolios to class.
  4. Development of 21st century skills. One of the 7 survival skills of the 21st century focuses on effective oral and written communication. Digital portfolios can help engage students in practicing these important abilities.
  5. Digital portfolios allow students to track and demonstrate their growth over longer periods of time. While paper portfolios get stored or discarded at the end of a term or school year, digital portfolios can remain available and easily accessible to students, parents, and educators.

 

All I can say is:

DIGITAL PORTFOLIO IS REALLY POWERFUL AND INCREASE INTRINSIC MOTIVATION. 

Lessons That We Can Learn In The Story of Ramayana

Ramayana is just not mythological story; it is one of the two “itihas” most widely read and revered by Hindus. Itihas means “thus happened”; Ramayana is considered the true story of Rama, the king of Ayodhya, who considered the very incarnation of Lord Vishnu. Thus the story of Ramayana, whenever read, gives us a great insight to the very high moral and ethical standards of the yore; at times of mental turmoil, we get enlightenment by reading Ramayana. Here are some of the lessons one can learn from the Ramayana.

(1) Relationship between Dharma, Artha, Kama and Moksha:

Human life is consumed in chasing materialism (Artha) and sense pleasures (Kama). Ramayana makes it clear that these two pursuits should never be at the cost of Dharma (righteousness). In withholding dharma, both artha and Kama can be and must be sacrificed. The ultimate goal of life is Moksha (liberation) and it can be attained only by relinquishing Artha and Kama and by strictly following a life of Dharma.

(2) The importance of one man being wedded to only one wife:
During Ramayana period, polygamy was quite prevalent and it was quite an acceptable social norm for kings to marry many women. Rama’s own father Dasaratha was wedded to 3 wives (queens) and he had innumerable concubines at his palace. In a stark contrast to his father, Rama remained wedded and staunchly loyal to his only wife Sita. With this qualification, he held his head high as the greatest king ever ruled in Bharat. He set example for future generations of men as to what constitutes a sterling quality for the respectability of a man in society.

(3) Adherence to truth and the need to honor one’s word:
When Rama was a young boy, the love and affection his father Dasarata had on him was immense. He would never like to be separated from his son. But when he had promised to offer whatever help that the visiting Sage Viswamitra asked for and when the sage requested for Rama’s help to fight the demons at the forest, Dasarata was terribly shocked. But still, he agreed to part with Rama, to honor his promise.
Later in time, when his third wife Kaikeyi wanted the throne of Ayodhya for her own son Bharata and wanted Rama to be sent in exile to the forest, it was nothing short of a deathly blow to Dasarata. But still, he could never use his kingly authority to veto her request, because of the promise he had made long ago to Kaikeyi, to grant her two boons whenever she chose to ask.

(4) Respecting father’s word of Honor:
Just on the previous night to Rama’s crowning ceremony, Kaikeyi made use of her boons not only to deny Rama his rightful ascend to the kingdom, but also to send him in exile to the forest. Rama, as a kshatriya (a person belonging to ruler/ warrior class), had every right to question such an injustice meted out to him and he was in not really duty-bound to honor his father’s unjust promises. But true to his greatness, Rama, with utter detachment and without even a trace of disappointment reflecting on his face, conceded to both the demands. For him, “pitru vakya paripalanam” (honoring his father’s words) was one of the highest dharmas.

(5) The futility of listening to vicious counseling:
Kaikeyi, an essentially good natured woman, meekly allowed her very loyal maid servant Mandara to brain-wash her into demanding these two atrocious boons from Dasarata. Though she was not enthusiastic in the beginning, she gradually allowed Mandara’s venomous words to poison her mind. Did she gain anything finally by asking these boons? No. She lost her beloved husband Dasarata who died very soon, on account of the shock and the pain of separation from his beloved son Rama. Bharata, Kaikeyi’s son, for whom she obtained the very kingdom, reprimanded her for her atrocious act and he never ever took charge of the kingdom as a King.

Now see a contrast: Upon hearing the developments, Lakshmana, the most beloved brother of Rama, who was by nature short tempered, like a true Kshatriya, got instantly flared up. He could not just tolerate the injustice meted out to Rama. He wanted Rama to fight for his rights; he wanted to proceed and fight with his father and imprison Kaikeyi. But the ever sober Rama, never heeded to his counsel. He pacified Lakshmana with soothing words, pointing out the need for adhering to dharma. The effect of Rama’s counseling not only pacified Lakshmana, but also gave him a steely resolution to relinquish his own comforts of the palace to accompany Rama to the forest, despite the latter’s objections to it.

(6) Not accepting any booty coming in unjust way:
Bharata, the son of Kaikeyi, is another sterling character in Ramayana, who just could not tolerate the very idea of bequeathing the throne that rightfully belong to his elder brother Rama but wrongly acquired for his sake by his mother. He was full of wrath towards his mother on this issue. He went to the forest in search of his brother and requested him earnestly to return to the country and take up its rule. As Rama refused to concede, he took Rama’s pair of footwear and carried it on his head; he placed them on the throne of Ayodhya and took care of administration of the country as a representative.

(7) The futility of getting swayed by dubious attractions:
Sita, in the forest, got madly attracted by a beautiful golden deer. She refused to heed to her husband’s counsel that such a deer could not be a natural one and it could be a demon in disguise. It is her incessant pestering to acquire the deer to be her play-mate that forced Rama to go behind it. It paved the way for her getting separated from him and she got forcibly abducted by Ravana, the demon.

(8) The importance of being watchful about one’s utterances:
When Rama killed the demon Maricha who came disguised as the golden deer, the demon called out “Lakshmana! Sita!” in Rama’s mimicked voice and died. Sita, upon hearing it, urged Lakshmana, who was standing guard to her, to go and help Rama, who seemed to be in trouble. Lakshmana’s patient counseling against it could not convince her. In a fit of rage without any control of her words, she accused Lakshmana of nurturing an evil idea of having an illicit relationship with her in the absence of Rama. Lakshmana, shell shocked by hearing such an abominable accusation, had to leave immediately, leaving her alone. Ravana utilized this opportunity to abduct her.
Some interpreters of Ramayana would say that Sita was forced to prove her chastity by the test of fire by Rama (after she was freed from the clutches of Ravana) only because of her intemperate and terrible accusation against the saintly and devout Lakshmana.

(9) The importance of fighting atrocity against woman:
Jatayu, the aged and once powerful bird, who noticed Ravana abducting Sita forcefully and flying with her in his vehicle towards his country Lanka, fought valiantly to obstruct Ravana and release Sita, but could not succeed in its effort. The bird sacrificed its very life on such a noble effort. Before breathing its last, Jatayu managed to convey the news to Rama, who, moved to tears by the gallantry of the old bird, did its last rites and funeral, as though he was the son of the bird.

(10) Divinely love transcends all barriers of caste and creed:
The lowly fisherman Guha, who was full of devotion to Rama, who helped Rama, Lakshmana and Sita to cross the river Ganges in a boat, was accepted as a brother by the King Rama. Likewise, Sabari, an old hunter woman of low caste, became a staunch devotee of Rama, just by hearing about Rama’s greatness.
When Rama was wandering the forests in search of Sita, Rama happened to visit Sabari’s hut and the old lady, overwhelmed with love for Rama reportedly offered to him fruits after nibbling each a bit to make sure that she did not offer sour fruits to her beloved Rama. Rama treated Sabari as though she was his own mother and showered his grace on her.

(11) The importance of humility as a great virtue:
Hanuman, the minister of the estranged Vanar king Sugriva was one of the greatest characters of Ramayana. Hanuman was physically very powerful, was a great diplomat, was very erudite in spoken words and was full of wisdom. Yet his humility was unsurpassed. The moment he met Rama, he was bowled over by Rama’s divinity and charm and he committed himself to be the life-long servant of Rama. The great feats he did in the service of Rama subsequently were unparalleled and the humility he displayed despite his greatness was unfathomable.

Lessons That We Can Learn In The Characters of Ramayana

The Ramayana Character List

Rama
The son of King Dasaratha and Queen Kausalya, Rama is the prince of Ayodya. He is an avatara of Vishnu, the Blue God and the sustainer of worlds. He is also a virtuous, strong, and just man in his own right. He is married to Sita, whom he loves deeply. He has a strong bond with his brother Lakshmana as well.

Sita
Sita’s father, King Janak, found her lying in a furrow on sanctified ground and decided to raise her as his daughter. She marries Rama, and loves him so much that she follows him into exile. She is famed for her virtue and beauty, and is regarded as an avatara of the goddess Lakshmi, Vishnu’s consort.

Ravana
Ravana is a rakshasa who performed penance for the God Siva for many years, and in return received a great blessing from the God: he cannot be killed by any God, demon, or other divine being. His arrogance combined, with great intelligence and power, has led him to rule over much of the earth, spreading terrible evil everywhere he goes.

Lakshmana
Son of King Dasaratha, and brother of Rama. He is deeply devoted to his brother, whom he follows through many dangerous adventures and quests. He is married to Sita’s younger sister, Urmila.

King Dasaratha
King of Ayodhya, father of Rama, Lakshmana, Bharata, and Shatrughna. Of all his three sons, he loves Rama most deeply, and tries to shelter the boy from any danger. He is a good king: kind, just and well-liked by his people.

Kaikeyi
The third and youngest wife of King Dasaratha, and mother of Bharata. She is famed for her beauty. After she saved the life of Dasaratha in battle, he offered to grant anything she would ask of him. She later calls in this favor to have Bharata crowned king and Rama sent into the forest, inspired by the worlds of her maid, Manthara.

Sumitra
Second wife of Dasaratha. She is the mother of Lakshmana and Shatrughna.

Kausalya
The first wife of Dasaratha and mother of Rama. She is the oldest wife, and very kind and wise. She does not have a close relationship with her husband, but she loves her son Rama very deeply.

Bharata
Son of King Dasaratha and Queen Kaikeyi, he is half-brother to Rama, Lakshmana, and Shatrughna. He is devoted to his brother Rama, and he tries desperately to undo the damage committed by his mother Kaikeyi.
Shatrughna
Son of King Dasaratha and Queen Sumitra (she drank two sips from the sacred cup, and consequently had twins). His twin brother is Lakshmana, and his half-brothers are Rama and Bharata. He follows his brother Bharata everywhere.

Sugriva
The rightful king of the vanaras, a race of magical monkeys. He was usurped by his brother Vali, and pledges his service to Rama and Lakshmana if they can restore him to his throne.

Hanuman
Advisor to Sugriva. He is the son of the wind god Vayu and a vanari woman.

Jambavan
King of the Riksharaj (magical bears). He is an ally of Sugriva and Rama. He is known for his gentle wisdom and quiet strength.

Indrajit
The favorite son of Ravana, and his most powerful warrior. He earned his name after he captured Indra, the king of the gods.
Kumbhakarna
Ravana’s brother. He is a giant with infinite strength who sleeps for six months at a time before waking up and eating everything he can see.

Agastya
An elderly and extremely powerful rishi who blesses Rama. Later when Rama is king of Ayodhya, he comes to Rama’s palace and tells him secret tales about the people he met on his journeys.

Even though the moral weight of the individual characters may vary from version to version, in all versions of the Ramayana, the conflict between good and evil, the deceptiveness of appearance, and the wiliness of evil are principal themes. Similarly, although the many narratives exhibit varying attitudes towards class relationships, proper social order, untouchability, and the duties and responsibilities of men and women to themselves, to the social world, and to each other, these are all addressed in one way or another in all versions of the Ramayana.

Naturally, the lessons of characters like Rama, Sita, Lakshman, and Anjaneya are evident.  Rama represents the lawful nature of structure and rules, of adhering to one’s word and following through on one’s promise.  Sita is the devotional element, the idea that one must aspire for a transcendent purpose, something more meaningful than what one is.  Lakshman is one who embodies the lesson of loyalty and honor, never fading in that commitment.  Anjaneya is the embodiment of the lesson of working towards a noble goal, something that never fades even in the most trying of conditions.  What makes The Ramayana such a unique work is that it features lessons in both the characters that represent “good” and those who do not.  The work is central to the Hindu religion because of this.